Strymon BigSky reverb pedal — teal enclosure with twelve reverb types and eight control knobs

Strymon BigSky Reverb

The Strymon BigSky is one of the most advanced reverb pedals ever created, offering studio-quality ambient sounds in a pedalboard format. It allows guitarists to move from subtle room ambience to massive atmospheric soundscapes, making it a powerful tool in both modern and expressive blues playing.

Manufacturer and Model Background

Strymon is known for high-end digital effects designed with studio-grade processing. The BigSky was introduced as a flagship reverb unit, aimed at players who demand maximum control, depth and sound quality. The pedal features twelve different reverb engines, including Room, Plate, Spring, Hall, Cloud and Shimmer. Each algorithm is highly customizable, with deep parameter control and preset storage.

Unlike traditional analog reverbs, the BigSky uses powerful DSP processing to recreate both classic and experimental reverb textures with exceptional clarity. It remains in production and is widely used by professional guitarists across genres.

Reverb engines 12 — Room, Plate, Spring, Hall, Cloud, Shimmer and more
Controls Value, Decay, Pre-Delay, Mix, Tone, Param 1, Param 2, Mod
Presets 300 — instant recall in live situations
Processing Studio-grade DSP — rivals rack reverb units
MIDI Full MIDI control for preset switching
Status In production — widely available

Why This Pedal Matters in Blues

Traditional blues tones rely on natural amp reverb, usually spring. However, modern blues players often expand beyond that. Artists like John Mayer and Joe Bonamassa use reverb not just as space, but as a tonal layer. The BigSky allows subtle enhancement of tone for traditional blues, while also enabling more atmospheric and emotional textures for slower, expressive playing. This is especially relevant in modern blues, where dynamics and space play a larger role.

What Respected Blues Guitarists Did With It

While classic players relied on amp reverb, modern blues guitarists have embraced high-end digital reverbs. John Mayer has been known to use Strymon reverbs for ambient textures and layered tones. Joe Bonamassa also incorporates advanced effects in studio environments to shape space and depth. The BigSky fits perfectly into this evolution, preserving clarity while expanding tonal possibilities.

Sound Profile

The BigSky is extremely versatile — from completely invisible to completely immersive.

Subtle settings Realistic room and spring reverb. Enhances tone without being noticed.
Atmospheric settings Huge ambient textures with long decay and harmonic layers.
Frequency response Very clean and transparent. No muddying of the signal.
Dynamic response Intact. Expressive playing retains full articulation.
Strat interaction Adds shimmer and openness. Complements the glassy top end.
Les Paul interaction Enhances sustain and depth without becoming overly dark.

What Makes It Special

The strength of the BigSky lies in its depth. Each reverb type is not just a preset, but a fully adjustable engine. Parameters like decay, pre-delay, modulation and tone allow precise shaping of every texture. Preset storage makes it usable in live situations, switching between subtle blues ambience and large atmospheric sounds instantly.

The DSP quality is among the best available, rivaling studio rack units. Build quality is also premium, with a robust enclosure and reliable footswitches designed for professional use.

Why Gerbman Uses It

For Gerbman, the BigSky adds space and emotion to his sound. In traditional blues settings, it can be used subtly to enhance tone without changing the core character. In more expressive or modern contexts, it allows him to create wider, more atmospheric sounds.

It sits later in the signal chain, shaping the final output of his tone. This makes it especially useful for slower blues, solos and live moments where feel and atmosphere are key. It is not just about reverb — it is about space, emotion and the breath around each note.

Rarity and Availability

The Strymon BigSky is still in production and widely available. Classification: common but high-end professional. It is considered a premium pedal rather than a rare collectible.

Variants and Alternatives

  • Strymon BigSky MX — expanded version with more processing power and features
  • Eventide Space Reverb — boutique alternative with a different algorithmic approach
  • TC Electronic Hall of Fame — budget-accessible alternative with TonePrint technology
  • Fender spring reverb units — the vintage reference for classic blues amp reverb

Hear this gear in action.

Watch Gerbman Live Book the Band View EPK